The Elite Africa Project is a global network of scholars working to shift how Africa and its elites are understood.

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The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

Burna Boy, Nigerian musician, rapper and songwriter; in 2021, his album Twice as Tall won the Best World Music Album at the 63rd Annual Grammy Awards, and he enjoyed back to back Grammy award nominations in 2019 and 2020.

Ngozi Okonjo-Iweala, Nigerian economist, fair trade leader, environmental sustainability advocate, human welfare champion, sustainable finance maven and global development expert. Since March 2021, Okonjo-Iweala has been serving as Director-General of the World Trade Organization.

This project focuses on Africa’s elites, defined as those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. While elites are those who possess the most consequential and powerful agenda-setting and decision-making capacity, Africa’s elites have either been sidelined in many of our analyses or rendered monotonal. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

We look at six domains of elite power, from the political to the aesthetic, and ask how we might shift how we think about and study Africa, and how this shift would impact our conceptualization of power and its exercise. Our goal is to contribute to popular conversations about Africa and to highlight the achievements of the astonishing new generation of leaders for a broader public audience.

This website will serve as a hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and house a searchable database of primary and secondary materials on African elites.

Kofi Annan (1938-2018), Ghanaian-born diplomat, trained in economics, international relations and management; was the first UNSG to be elected from within the ranks of the UN staff itself and served in various key roles before becoming Secretary General.

Namwali Serpell, Zambia award-winning novelist and writer; Recognised early on with the Caine prize, her numerous subsequent awards include the Windham–Campbell Literature Prize, one of the world’s richest literary prizes.

Mohammed "Mo" Ibrahim, Sudanese billionaire businessman. He worked for several telecommunications companies, before founding Celtel, which when sold had over 24 million mobile phone subscribers in 14 African countries.

The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

This project focuses on Africa’s elites — those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

This website is the hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and will house a searchable database of primary and secondary materials on African elites.

ELITE AFRICA PROJECT DATABASE

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L’Afrique fait son cinema

Research platform

Los Angeles, CA, USA
Contact:

Phone +123 456789

Email: mail@example.com

afriquefaitsoncinema.com

Description:

"L’Afrique fait son cinéma" seeks to fill a gap as there is  currently no site exclusively dedicated to French-speaking cinemas from  Africa and the Caribbean. This site’s goal is to serve as a hub for  researchers working in this field.

L’Afrique fait son cinema

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L’Afrique fait son cinema, Los Angeles, CA, USA

Aesthetic

Journal of African Films & Diaspora Studies

Academic Journal

London, UK, and Abuja, Nigeria
https://journals.co.za/journal/aa.jafdis
Description:

The Journal of African Films & Diaspora Studies (JAFDIS) is  a multi-disciplinary, peer-reviewed, international journal that provides a  forum for the publication of articles from academics, practitioners, and  policymakers on African films, Diaspora Studies and performance arts of all  genre including drama/theatre, carnivals, masquerades and dances.

Journal of African Films & Diaspora Studies

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Journal of African Films & Diaspora Studies, London, UK, and Abuja, Nigeria

Aesthetic

Journal of African Cinemas

Academic Journal

Bristol, UK
intellectbooks.com/journal-of-african-cinemas
Description:

The Journal of African Cinemas is a double-blind peer-reviewed journal that explores the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages.

Journal of African Cinemas

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Journal of African Cinemas, Bristol, UK

Aesthetic

Focus’s Africa First

Program

Universal City, CA, USA
focusfeatures.com
Description:

AFRICA FIRST: VOLUME ONE is the first in a series of short film  collections from some of Africa’s most compelling new talent. Focus’ Africa  First program is an initiative designed exclusively for filmmakers of African nationality and residence, and presents annual awards to the best and  brightest from around the continent. After touring film festivals around the world, these Africa First short films are now available for audiences everywhere.

Focus’s Africa First

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Focus’s Africa First, Universal City, CA, USA

Aesthetic

Film Africa by the Royal African Society

Festival

London, UK

royalafricansociety.org

Description:

Established in 2011, Film Africa showcases the best African cinema  from across the continent and diaspora. Every festival edition offers diverse London audiences a high quality and wide-ranging film programme accompanied  by a vibrant series of events, including director Q&As, talks and  discussions; professional workshops and masterclasses; Film Africa Young  Audiences school screenings and family activities; and Film Africa LIVE! music nights. Film Africa also recognises and supports new film-making talent  through the Baobab Award for Best Short Film and the Audience Award for Best  Feature Film.

Film Africa by the Royal African Society

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Film Africa by the Royal African Society, London, UK

Aesthetic

Festival

Cannes, France

filmmakers.festhome.com

Description:

The International “Festival International du Film Panafricain” (FIFP)  in Cannes is a platform that exhibits cinema and its professions, arts and  entrepreneurship, as well as innovation, culture and events.

Festival International du Film Panafricain (FIFP)

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Festival, Cannes, France

Aesthetic
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Our distinctive typeface, Format-1452, was designed by Frank Adebiaye, a French-Beninese type designer and founder of the experimental Velvetyne Type Foundry.