The Elite Africa Project is a global network of scholars working to shift how Africa and its elites are understood.

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The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

Burna Boy, Nigerian musician, rapper and songwriter; in 2021, his album Twice as Tall won the Best World Music Album at the 63rd Annual Grammy Awards, and he enjoyed back to back Grammy award nominations in 2019 and 2020.

Ngozi Okonjo-Iweala, Nigerian economist, fair trade leader, environmental sustainability advocate, human welfare champion, sustainable finance maven and global development expert. Since March 2021, Okonjo-Iweala has been serving as Director-General of the World Trade Organization.

This project focuses on Africa’s elites, defined as those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. While elites are those who possess the most consequential and powerful agenda-setting and decision-making capacity, Africa’s elites have either been sidelined in many of our analyses or rendered monotonal. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

We look at six domains of elite power, from the political to the aesthetic, and ask how we might shift how we think about and study Africa, and how this shift would impact our conceptualization of power and its exercise. Our goal is to contribute to popular conversations about Africa and to highlight the achievements of the astonishing new generation of leaders for a broader public audience.

This website will serve as a hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and house a searchable database of primary and secondary materials on African elites.

Kofi Annan (1938-2018), Ghanaian-born diplomat, trained in economics, international relations and management; was the first UNSG to be elected from within the ranks of the UN staff itself and served in various key roles before becoming Secretary General.

Namwali Serpell, Zambia award-winning novelist and writer; Recognised early on with the Caine prize, her numerous subsequent awards include the Windham–Campbell Literature Prize, one of the world’s richest literary prizes.

Mohammed "Mo" Ibrahim, Sudanese billionaire businessman. He worked for several telecommunications companies, before founding Celtel, which when sold had over 24 million mobile phone subscribers in 14 African countries.

The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

This project focuses on Africa’s elites — those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

This website is the hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and will house a searchable database of primary and secondary materials on African elites.

ELITE AFRICA PROJECT DATABASE

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Festival

Tarifa, Spain

fcat.es

Description:

The only competitive African film festival in the Spanish-speaking world.

Festival de Cine Africano (FCAT)

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Festival Tarifa, Spain

Aesthetic

Festival cinémas d’Afrique Lausanne

Festival

Lausanne, Switzerland

www.cine-afrique.ch

Description:

The ‘Festival cinémas d’Afrique’ is an annual event that offers the  public viewings of African movies. Its goal it to promote and  distribute African cinemas, support filmmakers, raise awareness, while being entertaining.

Festival cinémas d’Afrique Lausanne

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Festival cinémas d’Afrique Lausanne, Lausanne, Switzerland

Aesthetic

Fédération africaine de la critiquecinématographique (FACC)

Professional Association

Dakar, Senegal

africine.org/la-faac

Description:

The African Federation of Film Critics, or Fédération africaine de la  critique cinématographique in French (AFFC/FACC), gathers national  associations as well as individual members. Its goal is to promote the  writing of African reviews and increase its visibility, to make African critiques  international, and to support African productions by writing about them.

Fédération africaine de la critique cinématographique (FACC)

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Fédération africaine de la critiquecinématographique (FACC), Dakar, Senegal

Aesthetic

Durban International Film Festival

Festival

Durban, South Africa

https://www.durbanfilmfest.com/

Description:

The Durban International Film Festival fulfils a facilitative function as a promoter of the film industry, creating networking and cultural exchange  platforms. It was initiated as a safe space for intellectual and creative  dialogue to start conversations that spark innovation and question the world we live in and the lenses through which history is portrayed during a time of conflict and extreme racial tensions. It continues to do so, tackling contemporary challenges through various initiatives and industry engagements.

Durban International Film Festival

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Durban International Film Festival, Durban, South Africa

Aesthetic

Cambridge African Film Festival

Festival

Cambridge, UK

cambridgefilmfestival.org.uk

The longest running African Film Festival in the United Kingdom returns with a range of films that highlight the extraordinary talents emerging from Africa. Providing a UK audience for African filmmakers and  increasing the knowledge and awareness of African and black culture in the country.

Cambridge African Film Festival

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Cambridge African Film Festival, Cambridge, UK

Aesthetic

Centre for the Study and Research of African Women in Cinema

Research Center

Online

africanwomenincinema.org

Description:

Established in 2008, the Centre for the Study and Research of African  Women in Cinema |  Centre pour l’étude  et la recherche des femmes africaines dans le cinéma serves as a repository  for the dissemination of information on the research, study and documentation  of African women in cinema and is an extensive network with links to relevant  venues throughout the world.

Centre for the Study and Research of African Women in Cinema

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Centre for the Study and Research of African Women in Cinema

Aesthetic
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