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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Wangechi Mutu

Visual Artist

Location: Brooklyn - New York, US and Nairobi, Kenya.

Wangechi Mutu

Visual Artist, Nairobi (Kenya) and Brooklyn (US)

Aesthetic
Professional Contact
Gender

Leonard Wantchekon

Professor of Politics and International Affairs and Associated Faculty in Economics, Princeton University

Contact: lwantche@princeton.edu

Wantchekon Leonard

Professor of Politics and International Affairs and Associated Faculty in Economics, Princeton University

Political
Economic
Professional Contact

Kahiu Wanuri

Film Director

Sector: Cinema
Level of influence: International
Contact: wanurikahiu.com

Wanuri Kahiu

Film director, Cinema

Aesthetic
Professional Contact

Wasafiri

Publisher

UK
Contact: wasafiri@qmul.ac.uk

https://www.wasafiri.org/submit/

Description

Wasafiri has become the UK’s leading magazine for international contemporary writing. Launched in 1984, it is now renowned for publishing some of the world’s most distinguished writers including Chinua Achebe, Kamau Brathwaite, Anita and Kiran Desai, Sam Selvon, Nadine Gordimer, Abdulrazak Gurnah, Ngugi wa Thiong’o, Michael Ondaatje, Vikram Seth, Nayantara Sahgal, Gillian Slovo and Ben Okri amongst many others.

Wasafiri

Wasafiri, UK

Aesthetic
Organization

Wear Ghana

Fashion (Clothing)

Location: Accra, Ghana
Address: Anigye House, Haatso, Accra
Contact: (+233)59 856 5420/ (+233)59 824 8984/info@wearghana.com
Website: wearghana.com
WEAR Ghana was co-founded by friends and university roommates Awura Abena Agyeman (left) & Angorkor Nai-Kwade (right). The pair were passionate about fashion and freedom, and dreamt of using it as a tool to contribute to the development of their community and elicit pride in Ghana-made products. While everyone else was shopping common, overpriced, boutique looks, they were two young ladies creating a style that represented The New African. In 2013, they quit their jobs in banking and telecommunications to focus on this dream… and WEAR Ghana was born.
Throughout their long-standing partnership, Awura Abena and Angorkor have continuously complemented and pushed each other, resulting in covetable pieces in beautiful fabrics, memorable prints, and bold colors. After a lot of trial and error and a decade of learning & relearning, they’ve inspired a perfection of the standout GIGI collection: a unisex and stylish collection that encapsulates the magic of the people who wear them. Today, WEAR Ghana is made up of a team of young African enthusiasts focused on achieving world-class standards and global significance.
Source: wearghana.com

Wear Ghana

Wear Ghana, Accra - Ghana

Aesthetic
Organization

Alek Wek

Model/designer, IMG Models

Sector: Fashion
UK
instagram.com/msalekwek/?hl=en

Wek Alek

Model/designer, IMG Models

Aesthetic
Professional Contact

West Africa Network for Peacebuilding (WANEP)

Regional peacebuilding organization

Located in Accra with national network offices across the various West African states
Contact: Tel: +233 (0)302 411638; (0)302 406340, (0)302 426004, (0)302 408224. E-mail: wanep@wanep.org Website: wanep.org
Description

The West Africa Network for Peacebuilding (WANEP) is a leading Regional Peacebuilding organization founded in 1998 in response to civil wars that plagued West Africa in the 1990s. Over the years, WANEP has succeeded in establishing strong national networks in every Member State of ECOWAS with over 700 member organizations across West Africa. WANEP places special focus on collaborative approaches to conflict prevention, and peacebuilding, working with diverse actors from civil society, governments, intergovernmental bodies, women groups and other partners in a bid to establish a platform for dialogue, experience sharing and learning, thereby complementing efforts at ensuring sustainable peace and development in West Africa and beyond. In 2002, WANEP entered into a historic partnership with the Economic Community of West African States (ECOWAS) an inter-governmental structure in the implementation of a regional early warning and response system (ECOWARN). A memorandum of understanding between WANEP and ECOWAS was signed in 2004 for five years, and has since been renewed for another 5 years. This partnership constitutes a major strategic achievement for WANEP and West Africa civil society as it offers the much desired opportunity to contribute to Track I response to conflicts and policy debates. At the continental level, WANEP is a member of the Peace and Security cluster of the African Union’s (AU) Economic, Social and Cultural Council –ECOSOCC representing West Africa. At international level, WANEP has a Special Consultative Status with the United Nations Economic and Social Council (ECOSOC) and is the West Africa Regional Representative of the Global Partnership for the Prevention of Armed Conflict (GPPAC). WANEP is the Chair of GPPAC. WANEP provides professional courses in conflict prevention and peacebuilding informed by several years of practice experience to governments, businesses, and practitioners throughout the sub-region and beyond. Underlying its work is a commitment to professionalism and a dedication to a world of mutual respect, tolerance and peace.

West Africa Network for Peacebuilding (WANEP)

The West Africa Network for Peacebuilding (WANEP), Accra, Ghana and throughout West Africa

Political
Organization

Willett, Frank. African Art. New ed. London: Thames & Hudson, 2002.

The art of the Fang, the BaTeke, the BaKota, and other African people sis extraordinarily vigorous and shows a brilliant sense of form. The substantial aesthetic impact that their works have had on the development of twentieth-century Western art - on Picasso, Derain, Braque, and Modigliani, among others - continues to this day. This classic study reveals the astonishing variety and expressive power of the art of a continent that contains more distinct peoples and cultures than any other. The revised edition has been updated throughout, incorporating recent research and additional illustrations, plus a new chapter and extended bibliography. It remains an invaluable resource for students and for anyone interested in African art.

[Source: Readerly].

Willett, Frank. African Art.

Willett, Frank
2002

This classic study reveals the astonishing variety and expressive power of the art of a continent that contains more distinct peoples and cultures than any other.

Aesthetic
Bibliographic
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