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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Le Monde. “Arts africains: restituer les œuvres, rétablir les faits.” [“African Arts: Giving Back Artworks, Setting the Record Straight.”] Le Monde, October 23, 2021. https://www.lemonde.fr/afrique/article/2021/10/23/arts-africains-restituer-les-uvres-retablir-les-faits_6099633_3212.html.

This article focuses on the restitution by France to Benin of 26 artworks on November 9th, 2021. This is not only a political gesture, but also the acknowledgment of the work done by historians over decades of colonial rules and who established many painful truths, whether we like or not.

[Source: Article abstract, translated from French].

Le Monde. Arts africains.

Le Monde
2021

his article focuses on the restitution by France to Benin of 26 artworks on November 9th, 2021.

Aesthetic
Bibliographic

Legon Centre for International Affairs and Diplomacy, University of Ghana (LECIAD)

Academic Institution

Location: Accra, Ghana
leciad.ug.edu.gh
Description:

The centre provides training for foreign service personnel and others and undertakes seminars, workshops and short courses on current international developments.

Legon Centre for International Affairs, University of Ghana

Legon Centre for International Affairs and Diplomacy, University of Ghana (LECIAD), Accra, Ghana

Coercive
Political
Economic
Organization

Manu Lekunze

Professor, University of Aberdeen

Sector: International Security, Maritime Security, US-Africa Relations, National Security (with African case studies)
Contact: manu.lekunze@abdn.ac.uk

Lekunze, Manu

Professor, International Security, Maritime Security, US-Africa Relations, National Security (with African case studies), University of Aberdeen

Coercive
Professional Contact

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”] Released in 2019. Video, 52:00. https://www.tv5monde.com/programmes/fr/programme-tv-habille-nous-africa/68150/

Africa likes fashion and creates enthusiasm in the fashion world. But how do you wear fashion in Africa? To find out, the model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

[Source: Video description, adapted and translated from French].

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”]

Lenoir, Noémie et Antoine Rivière
2019

The model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

Aesthetic
Bibliographic

Peter Lewis

Professor, Political Science, Johns Hopkins SAIS  

Contact: plewis18@jhu.edu

Lewis, Peter

Lewis, Peter

Professor, Political Science, Johns Hopkins SAIS

Political
Professional Contact

Leyten, Harrie. From Idol to Art. African ‘Objects-With-Power’. Leiden: African Studies Centre, Leiden University, 2015.

Objects with power, so common in Africa, are neither beautiful nor easy to understand, and as such were a challenge for missionaries, anthropologists and curators of ethnographic museums from the moment they got involved with Africa, in the middle of the 19th century. Each group of professionals tried to come to grips with these objects, reacting –over time – quite differently on them. The three professions are shown to appropriate the meanings of these strange objects to suit their own objectives, dependent on historical era and type of field exposure. Missionaries tended to see them as expressions of heathenism, while anthropologists started to look for ‘master symbols’ and gradually discovered their emic meanings. Africa curators were usually not in a position to research these objects in depth in their museums. This book takes three of these objects as its starting point -ikenga, minkisi and asuman, and analyses the processes of professional appropriation. The aim is to glean how these professions learned from each other or not, to sketch processes of attribution of meaning, and to contribute to a better understanding of the role of objects of power in their culture.

[Source: Leiden University].

Leyten, Harrie. From Idol to Art. African ‘Objects-With-Power’

Leyten, Harrie
2015

This book takes three objects (with power) as its starting point -ikenga, minkisi and asuman, and analyses the processes of professional appropriation. The aim is to glean how these professions learned from each other or not, to sketch processes of attribution of meaning, and to contribute to a better understanding of the role of objects of power in their culture.

Aesthetic
Religious/Spritual
Bibliographic

Pan Li-Chi

Artist (Photography)

Australia
lichipan.com

Li-Chi Pan

Artist (Photography)

Aesthetic
Professional Contact
Professional Contact
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