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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Manu Lekunze

Professor, University of Aberdeen

Sector: International Security, Maritime Security, US-Africa Relations, National Security (with African case studies)
Contact: manu.lekunze@abdn.ac.uk

Lekunze, Manu

Professor, International Security, Maritime Security, US-Africa Relations, National Security (with African case studies), University of Aberdeen

Coercive
Professional Contact

Le Monde. “Arts africains: restituer les œuvres, rétablir les faits.” [“African Arts: Giving Back Artworks, Setting the Record Straight.”] Le Monde, October 23, 2021. https://www.lemonde.fr/afrique/article/2021/10/23/arts-africains-restituer-les-uvres-retablir-les-faits_6099633_3212.html.

This article focuses on the restitution by France to Benin of 26 artworks on November 9th, 2021. This is not only a political gesture, but also the acknowledgment of the work done by historians over decades of colonial rules and who established many painful truths, whether we like or not.

[Source: Article abstract, translated from French].

Le Monde. Arts africains.

Le Monde
2021

his article focuses on the restitution by France to Benin of 26 artworks on November 9th, 2021.

Aesthetic
Bibliographic

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”] Released in 2019. Video, 52:00. https://www.tv5monde.com/programmes/fr/programme-tv-habille-nous-africa/68150/

Africa likes fashion and creates enthusiasm in the fashion world. But how do you wear fashion in Africa? To find out, the model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

[Source: Video description, adapted and translated from French].

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”]

Lenoir, Noémie et Antoine Rivière
2019

The model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

Aesthetic
Bibliographic

Peter Lewis

Professor, Political Science, Johns Hopkins SAIS  

Contact: plewis18@jhu.edu

Lewis, Peter

Lewis, Peter

Professor, Political Science, Johns Hopkins SAIS

Political
Professional Contact

Leyten, Harrie. From Idol to Art. African ‘Objects-With-Power’. Leiden: African Studies Centre, Leiden University, 2015.

Objects with power, so common in Africa, are neither beautiful nor easy to understand, and as such were a challenge for missionaries, anthropologists and curators of ethnographic museums from the moment they got involved with Africa, in the middle of the 19th century. Each group of professionals tried to come to grips with these objects, reacting –over time – quite differently on them. The three professions are shown to appropriate the meanings of these strange objects to suit their own objectives, dependent on historical era and type of field exposure. Missionaries tended to see them as expressions of heathenism, while anthropologists started to look for ‘master symbols’ and gradually discovered their emic meanings. Africa curators were usually not in a position to research these objects in depth in their museums. This book takes three of these objects as its starting point -ikenga, minkisi and asuman, and analyses the processes of professional appropriation. The aim is to glean how these professions learned from each other or not, to sketch processes of attribution of meaning, and to contribute to a better understanding of the role of objects of power in their culture.

[Source: Leiden University].

Leyten, Harrie. From Idol to Art. African ‘Objects-With-Power’

Leyten, Harrie
2015

This book takes three objects (with power) as its starting point -ikenga, minkisi and asuman, and analyses the processes of professional appropriation. The aim is to glean how these professions learned from each other or not, to sketch processes of attribution of meaning, and to contribute to a better understanding of the role of objects of power in their culture.

Aesthetic
Religious/Spritual
Bibliographic

Pan Li-Chi

Artist (Photography)

Australia
lichipan.com

Li-Chi Pan

Artist (Photography)

Aesthetic
Professional Contact
Professional Contact

Lima, Alvaro Luis. “Screw the Nation!: Queer Nationalism and Representations of Power in Contemporary South African Art”. African Arts 45, no 4 (2012): 46‑57. https://doi.org/10.1162/AFAR_a_00027.

“Known for his irreverence, Steven Cohen strikes again. (1) Wearing heels with tentacles that prevent him from walking, he crawls fabulously to the polling station in order to make his voice heard in the second presidential election in post-apartheid South Africa. On all fours, he smiles at the curious voters who stare at his black leotard, extravagant make-up, and feathery wig. "Dress to excess"? (2) Surely, but what exactly is he exceeding? […]what exactly does Cohen’s performance transgress or exceed? It exceeds the standard to which nationals are expected to engage in the political arena; it exceeds by testing the limits of citizenship; and it exceeds national willingness to embrace difference as a unifying strategy. This article elaborates on these excesses as larger symptoms of the end of apartheid in South African art and explores how they revolve around gender and sexual diversity as instruments for reimagining national identity. This complex topic cannot be exhausted here; however, by analyzing works of art which highlight the role of queerness in shaping nationalist discourses, I hope to ignite a discussion on an issue that cannot be ignored: what do we make of the excess of the election-day queen?”

[Source: Excerpt from the article].

Lima, Alvaro Luis. Screw the Nation!

Lima, Alvaro Luis.
2012

"This article elaborates on these excesses as larger symptoms of the end of apartheid in South African art and explores how they revolve around gender and sexual diversity as instruments for reimagining national identity."

Aesthetic
Political
Bibliographic
Gender
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