Once ostracized from history, Africa now finds itself at the heart of all the debates. While colonial cinema freezes the African in a number of stereo types, the media make him look like a famished individual whose agony has become commonplace. African cinema rejects the Epinal print or morbid clichés and opens the way to new questions about the relationship between picture and memory.
Our distinctive typeface, Format-1452, was designed by Frank Adebiaye, a French-Beninese type designer and founder of the experimental Velvetyne Type Foundry.