The Elite Africa Project is a global network of scholars working to shift how Africa and its elites are understood.

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The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

Burna Boy, Nigerian musician, rapper and songwriter; in 2021, his album Twice as Tall won the Best World Music Album at the 63rd Annual Grammy Awards, and he enjoyed back to back Grammy award nominations in 2019 and 2020.

Ngozi Okonjo-Iweala, Nigerian economist, fair trade leader, environmental sustainability advocate, human welfare champion, sustainable finance maven and global development expert. Since March 2021, Okonjo-Iweala has been serving as Director-General of the World Trade Organization.

This project focuses on Africa’s elites, defined as those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. While elites are those who possess the most consequential and powerful agenda-setting and decision-making capacity, Africa’s elites have either been sidelined in many of our analyses or rendered monotonal. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

We look at six domains of elite power, from the political to the aesthetic, and ask how we might shift how we think about and study Africa, and how this shift would impact our conceptualization of power and its exercise. Our goal is to contribute to popular conversations about Africa and to highlight the achievements of the astonishing new generation of leaders for a broader public audience.

This website will serve as a hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and house a searchable database of primary and secondary materials on African elites.

Kofi Annan (1938-2018), Ghanaian-born diplomat, trained in economics, international relations and management; was the first UNSG to be elected from within the ranks of the UN staff itself and served in various key roles before becoming Secretary General.

Namwali Serpell, Zambia award-winning novelist and writer; Recognised early on with the Caine prize, her numerous subsequent awards include the Windham–Campbell Literature Prize, one of the world’s richest literary prizes.

Mohammed "Mo" Ibrahim, Sudanese billionaire businessman. He worked for several telecommunications companies, before founding Celtel, which when sold had over 24 million mobile phone subscribers in 14 African countries.

The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

This project focuses on Africa’s elites — those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

This website is the hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and will house a searchable database of primary and secondary materials on African elites.

ELITE AFRICA PROJECT DATABASE

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Johannes Knierzinger

Senior Lecturer

Contact:

Institute for International Development

Sensengasse 3/2/2

1090 Vienna

johannes. knierzinger@univie.ac.at

Knierzinger Johannes

Knierzinger, Johannes
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Senior Lecturer, Institute for International Development, Sensengasse

Religious/Spritual

Ineke van Kessel

Professor, African Studies Centre, Leiden University, Leiden, The Netherlands.

Contact:

Afrika-Studiecentrum

PO Box 9555

2300 RB Leiden

The Netherlands

w.m.j.van.kessel@asc.leidenuniv.nl

Kessel Ineke van

Kessel, Ineke van
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Professor, African Studies Centre, Leiden University, Leiden, The Netherlands.

Religious/Spritual

RT France. “The Congo Dandiers: Living in Poverty and Spending a Fortune to Look Like a Million Dollars.” November 16, 2015. Video, 25:47. https://www.youtube.com/watch?v=W27PnUuXR_A

Les Sapeurs are ordinary Congolese working men who dress up in Western luxury brands just to become known for their style. On weekends, the Sapeurs make their way through dusty slums in sharp, colourful three-piece suits and heading to meet-ups where they compete with fellow members of the “Society of Ambience-makers and Elegant People”, or S.A.P.E. in French. RTD travels to Brazzaville, the Republic of Congo’s capital, to find out why, amid extreme poverty, these men prioritise fashion above all else.

[Source: RT Documentary Channel].

RT France. The Congo Dandiers:

RT France
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RTD travels to Brazzaville, the Republic of Congo’s capital, to find out why, amid extreme poverty, these men prioritise fashion above all else.

Aesthetic

Netflix Documentary. “Made by Design. The Fashionista.” Released in 2020. Video, 23:00. https://www.netflix.com/ca-fr/title/81504530

The casual viewer is introduced and immersed into the life of thirteen Nigerian designers, who boast comprehensive portfolios. Each of the featured artists has forged their legacy in a diverse range of works as they traversed the realities of designing in Africa, which is heavily dependent on functionality.

[Source: Aworanka].

Netflix Documentary. “Made by Design. The Fashionista.”

Netflix Documentary
This is some text inside of a div block.

The casual viewer is introduced and immersed into the life of thirteen Nigerian designers, who boast comprehensive portfolios. Each of the featured artists has forged their legacy in a diverse range of works as they traversed the realities of designing in Africa, which is heavily dependent on functionality.

Aesthetic

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”] Released in 2019. Video, 52:00. https://www.tv5monde.com/programmes/fr/programme-tv-habille-nous-africa/68150/

Africa likes fashion and creates enthusiasm in the fashion world. But how do you wear fashion in Africa? To find out, the model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

[Source: Video description, adapted and translated from French].

Lenoir, Noémie et Antoine Rivière. “Habille-nous Africa.” [“Get us Dressed Africa.”]

Lenoir, Noémie et Antoine Rivière
This is some text inside of a div block.

The model Noémie Lenoir explores the clothing manufacturing industry and interviews those working in this field.

Aesthetic

Jeune Afrique. “Nanawax, le prêt-à-porter africain en mode 2.0.” [“Nanawax, African Ready-to-Wear 2.0.”] Released on August 18, 2020. Video, 09:27. https://www.youtube.com/watch?v=Z5K_PW_9USs

This is an interview with Maureen Ayité from Benin who started the fashion brand Nanawax et owns seven stores in several African cities. Her success is based on the use of social media and the development of online sales.

[Source: Video description]

 

Jeune Afrique. “Nanawax, le prêt-à-porter africain en mode 2.0.” [“Nanawax, African Ready-to-Wear 2.0.”]

Jeune Afrique
This is some text inside of a div block.

This is an interview with Maureen Ayité from Benin who started the fashion brand Nanawax et owns seven stores in several African cities. Her success is based on the use of social media and the development of online sales.

Aesthetic
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