The Elite Africa Project is a global network of scholars working to shift how Africa and its elites are understood.

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The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

Burna Boy, Nigerian musician, rapper and songwriter; in 2021, his album Twice as Tall won the Best World Music Album at the 63rd Annual Grammy Awards, and he enjoyed back to back Grammy award nominations in 2019 and 2020.

Ngozi Okonjo-Iweala, Nigerian economist, fair trade leader, environmental sustainability advocate, human welfare champion, sustainable finance maven and global development expert. Since March 2021, Okonjo-Iweala has been serving as Director-General of the World Trade Organization.

This project focuses on Africa’s elites, defined as those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. While elites are those who possess the most consequential and powerful agenda-setting and decision-making capacity, Africa’s elites have either been sidelined in many of our analyses or rendered monotonal. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

We look at six domains of elite power, from the political to the aesthetic, and ask how we might shift how we think about and study Africa, and how this shift would impact our conceptualization of power and its exercise. Our goal is to contribute to popular conversations about Africa and to highlight the achievements of the astonishing new generation of leaders for a broader public audience.

This website will serve as a hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and house a searchable database of primary and secondary materials on African elites.

Kofi Annan (1938-2018), Ghanaian-born diplomat, trained in economics, international relations and management; was the first UNSG to be elected from within the ranks of the UN staff itself and served in various key roles before becoming Secretary General.

Namwali Serpell, Zambia award-winning novelist and writer; Recognised early on with the Caine prize, her numerous subsequent awards include the Windham–Campbell Literature Prize, one of the world’s richest literary prizes.

Mohammed "Mo" Ibrahim, Sudanese billionaire businessman. He worked for several telecommunications companies, before founding Celtel, which when sold had over 24 million mobile phone subscribers in 14 African countries.

The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

This project focuses on Africa’s elites — those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

This website is the hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and will house a searchable database of primary and secondary materials on African elites.

ELITE AFRICA PROJECT DATABASE

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Pajan, Léo. “Lecinéma d’auteur africain se réinvente.” [“African Art House Cinema is Reinventing Itself.”] Jeune Afrique, July 16, 2021. https://www.jeuneafrique.com/1195431/culture/le-cinema-dauteur-africain-se-reinvente/

“Under the influence of Western powers for a long time and subjected to commercial logic, African cinema is finally starting to enjoy the joys of being independent.”

[Source: Excerpt from the Article].

Pajan, Léo. “Le cinéma d’auteur africain se réinvente.”

Pajan, Léo
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“Under the influence of Western powers for a long time and subjected to commercial logic, African cinema is finally starting to enjoy the joys of being independent.”

Aesthetic

Onyedinefu, Godsgift. “Nigerian Filmmakers Unveil App to Promote Nollywood, African Movies.” Business Day, February 10, 2022. https://businessday.ng/news/article/nigerian-filmmakers-unveil-app-to-promote-nollywood-african-movies/

“Practitioners in the Nollywood industry have launched an App named ‘The Film Academy’ in a bid to tackle the challenges in the industry and position it for more growth and development. The App, which was launched by leading moviemakers, Play Network Studios and Native Media, will serve as a one-stop hub for movies in Nigeria and the rest of Africa.”

[Source: Excerpt from the Article].

Onyedinefu, Godsgift. “Nigerian Filmmakers Unveil App to Promote Nollywood, African Movies.”

Onyedinefu, Godsgift
This is some text inside of a div block.

The article discusses the impact of a film App on the Nigerian film industry.

Aesthetic
Economic

Onyango, Fred. “Why Netflix is a Lifeline for African Film-Makers.” The Guardian, October 7, 2020. https://www.theguardian.com/film/2020/oct/07/netflix-lifeline-for-african-film-makers-fred-onyango

“Netflix has purchased previously produced content and also produced its own, both TV shows and films. Kagiso Lediga and Pearl Thusi have followed up their 2018 romantic drama Catching Feelings with a TV show, Queen Sono, about an undercover spy, that premiered earlier this year. Nick Mutuma’s coming of age drama, Sincerely Daisy, is having its highly anticipated premiere on Friday, while other Kenyan films – Tosh Gitonga’s romcom Disconnect and Tom Whitworth’s Poacher – have also found a home on Netflix.”

[Source: Excerpt from the Article].

Onyango, Fred. “Why Netflix is a Lifeline for African Film-Makers.”

Onyango, Fred
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The article discusses the implications of Netflix for African film-makers

Aesthetic
Economic

New African. “Is This the Start of the Golden Age of African Films?” New African, April 27, 2021. https://newafricanmagazine.com/25950/#

The African film industry has been shaken up, bringing a new confidence and optimism. Gail Collins takes a journey through the history of African films and considers the future awaiting this flourishing industry.

[Source: Article abstract].

New African. “Is This the Start of the Golden Age of African Films?”

New African
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Gail Collins takes a journey through the history of African films and considers the future awaiting this flourishing industry.

Aesthetic
Economic

Jennifer Bajorek

Associate Professor, Visual Studies, Hampshire College

Contact:

Mail Code Ha

Jennifer Bajorek

Jerome Liebling Center 106

413.549.4600

Jebha@Hampshire.Edu

jenniferbajorek.com

Bajorek, Jennifer

Bajorek, Jennifer
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Associate Professor, Visual Studies, Hampshire College

Aesthetic

Nairobi News Reporter. “Africa Film Finance Summit to be Held in Nairobi.” Nairobi News, October 10, 2016. https://nairobinews.nation.africa/africa-film-finance-summit-held-nairobi/

“Over 200 delegates drawn from the film industry, channel owners and financial sector will meet in Nairobi next week. The summit aims to find ways of promoting and accelerating development of the film and audio-visual sector in Africa through commercial funding. The two-day Africa Film Finance Summit which will be held on October 13 and 14 will offer a platform for financial institutions, filmmakers, entrepreneurs and regulators to learn from their experienced peers on what it takes to fund the sector.”

[Source: Excerpt from the article].

Nairobi News Reporter. “Africa Film Finance Summit to be Held in Nairobi.”

Nairobi News Reporter
This is some text inside of a div block.

The article discusses the implications of the 2016 Africa Film Finance Summit

Aesthetic
Economic
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