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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Jeremiah Ogbodo

Stylist, Swanky Signatures Styling

Sector: Fashion
instagram.cm/swankyjerry/?hl=en

Ogbodo Jeremiah

Stylist, Swanky Signatures Styling

Aesthetic
Professional Contact

Ogede, Ode. Nigeria’s Third-Generation Literature : Content and Form. Oxon, UK ;: Routledge, Taylor & Francis Group, 2023.

This book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era. The creative writing of this period reflects new sensibilities and anxieties about Nigeria’s changing fortunes in the post-colonial era. The literature of the third generation is startling in its candidness, irreverence as well as the brutal self-disclosure of its characters, and it is governed by an unusually wide-ranging sweep in narrative techniques. This book examines six key texts of the oeuvre: Maria Ajima’s The Web, Okey Ndibe’s Foreign Gods, Inc., Teju Cole’s Open City, Chika Unigwe’s On Black Sisters Street, Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives, and Chimamanda Ngozi Adichie’s The Thing Around Your Neck. The texts interpret contemporary corruption and other unspeakable social malaise; together, they point to the exciting future of Nigerian literature, which has always been defined by its daring creativity and inventive expressive modes. Even conventional storytelling strategies receive revitalizing energies in these angst-driven narratives. This book will be of interest to students and researchers of contemporary African literature, Sociology, Gender and women’s studies, and post-colonial cultural expression more broadly.

Source: routledge.com

Ogede, Ode. Nigeria’s Third-Generation Literature

This book considers the evolution and characteristics of Nigeria’s third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era.

Aesthetic
Bibliographic

Ogude, James. Chinua Achebe’s Legacy, 2015. https://doi.org/10.2307/j.ctvh8qzxq.

Chinua Achebe's novels and essays have always drawn our attention to issues of memory, the story, history and our own obligation to history as Africans. Achebe constantly goes back to the authority of narrative - the story; and as the subsequent generations of African writers like Chimamanda Adichie keep returning to, to celebrate Africa's many stories, its moments of failure and triumph. Achebe, more than any other writer on this continent, has inspired many, and hopefully the African story tellers of the coming centuries, irrespective of their location will continue to be inspired by him. This collection of essays is an enduring tribute to this rich legacy of Achebe.

Source: Books.google.ca

Ogude, James. Chinua Achebe's Legacy.

Achebe, more than any other writer on this continent, has inspired many, and hopefully the African story tellers of the coming centuries, irrespective of their location will continue to be inspired by him. This collection of essays is an enduring tribute to this rich legacy of Achebe.

Aesthetic
Bibliographic

Ogunyemi, Dayo. “Visions of Africa’s Future, from African Filmmakers.” Filmed in August 2017 at TEDGlobal. Arusha, Tanzania. Video, 11:36. Https://www.ted.com/talks/dayo_ogunyemi_visions_of_africa_s_future_from_african_filmmakers?language=en

“As a child growing up in Nigeria, books sparked my earliest imagination, but films, films transported me to magical places with flying cars, to infinite space with whole universes of worlds to discover. And my journey of discovery has led to many places and possibilities, all linked with ideas and imagination.”

[Source: Excerpt from the video]

Ogunyemi, Dayo. “Visions of Africa’s Future, from African Filmmakers.”

Ogunyemi, Dayo
August 2017

“As a child growing up in Nigeria, books sparked my earliest imagination, but films, films transported me to magical places with flying cars, to infinite space with whole universes of worlds to discover. And my journey of discovery has led to many places and possibilities, all linked with ideas and imagination.”

Aesthetic
Bibliographic

Ojo, Odunayo. “How African Designers Are Finding Success by Tapping Into Their Cultural Roots.” Business of Fashion, July 29, 2021. https://www.businessoffashion.com/articles/global-markets/how-african-designers-are-finding-success-by-tapping-into-their-cultural-roots/

More designers from Nigeria, South Africa and other African countries are connecting with consumers in international markets by putting their cultures front and centre.

[Source: Article abstract].

Ojo, Odunayo. “How African Designers Are Finding Success by Tapping Into Their Cultural Roots.”

Ojo, Odunayo
July 29, 2021

More designers from Nigeria, South Africa and other African countries are connecting with consumers in international markets by putting their cultures front and centre.

Coercive
Bibliographic

Ojo, Sanya, Sonny Nwankwo, and Ayantunji Gbadamosi. “African Diaspora Entrepreneurs: Navigating Entrepreneurial Spaces in ‘Home’ and ‘Host’ Countries.” International Journal of Entrepreneurship and Innovation 14, no. 4 (2013): 289–99. https://doi.org/10.5367/ijei.2013.0126.

African entrepreneurs in the diaspora are increasingly leveraging the duality of transnational space to expand economic opportunities in their countries of origin. Using the UK (London) and Sub-Saharan Africa migration corridor as a contextual prism, this paper explores the ‘everydayness’ of entrepreneurship among African entrepreneurs in relation to how they traverse entrepreneurial spaces linking their countries of origin (home) and country of residence (host). Data collection combined discovery-oriented and ‘observer as participant’ techniques and emerging strands were fully explored using focus group protocols. Contrary to conventional wisdom, the findings indicate that Africans in diaspora contribute to Sub-Saharan African economic development through entrepreneurial investments. Diaspora direct investment (DDI) is an authentic avenue that unlocks untapped investment opportunities, and its objectives are driven by both economic and non-economic factors. Thus policy makers need to focus on harnessing its benefits.

Source: Article's abstract

Ojo, Sanya, Sonny Nwankwo, and Ayantunji Gbadamosi. African Diaspora Entrepreneurs

Using the UK (London) and Sub-Saharan Africa migration corridor as a contextual prism, this paper explores the ‘everydayness’ of entrepreneurship among African entrepreneurs in relation to how they traverse entrepreneurial spaces linking their countries of origin (home) and country of residence (host).

Economic
Bibliographic

Ojukwu, Chris C., and Shopeju, J. O. "Elite Corruption and The Culture of Primitive Accumulation In 21st Century Nigeria". International Journal of Peace and Development Studies. Volume 2. Page 15-24. November 2010.

Nigeria is often perceived as the ‘giant of Africa’ by most Africans, perhaps, because of its remarkable achievements in the continent in the past three decades. Today, the same country is looked upon by the rest of the world as a ‘crippled’ giant, a veritable modern wasteland, a nation where corruption is extolled as a national culture, tradition; as a nation of business scams and fraudulent investment and contractual opportunities. The paper argues that the situation became worse during Olusegun Obasanjo’s eight years administration 1999 to 2007 when his government tactically opened the floodgate of elite corruption and primitive accumulation, which subsequently brought the country to its knees.

Source: Article

Ojukwu, Chris C., Shopeju, J. O. Elite Corruption and The Culture of Primitive Accumulation In 21st Century Nigeria

The paper looks at the trajectory of corruption in Nigeria

Economic
Political

Chika Okeke-Agulu

Professor, African and African Diaspora Art History and Theory, Princeton University

Office Phone: (609)  258-7456
Email: cokekeag@princeton.edu
https://aas.princeton.edu/people/chika-okeke-agulu

Okeke-Agulu, Chika

Professor, African and African Diaspora Art History and Theory, Princeton University

Aesthetic
Professional Contact
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