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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Patrick Loch Otieno (P.L.O.) Lumumba

Lawyer/Activist/Founder and Chairman of the PLO Lumumba Foundation Ltd

Kenya
Contact: +254-710-409145
info@plofoundation.org
Website: plofoundation.org

Lumumba, P. L. O

Lawyer/Activist/Founder and Chairman of the PLO Lumumba Foundation Ltd.

Political
Professional Contact

Lynch, Gabrielle

Professor of Comparative Politics, University of Warwick

Email: g.lynch@warwick.ac.ukTel: +44 (0)24765 23303

Lynch, Gabrielle

Professor of Comparative Politics, University of Warwick

Political
Professional Contact

Lynch, Gabrielle. “Moi: The Making of an African ‘Big-Man.’” Journal of Eastern African Studies 2, no. 1 (2008): 18–43. https://doi.org/10.1080/17531050701846708.

In December 2002, Daniel arap Moi – the longest sitting Member of the Kenyan Legislature (1955–2002), longest standing Vice-President (1967–78), and longest reigning President of the Kenyan Republic (1978–2002) – ‘retired’ from elected politics. This article analyses Moi's political career from his entry into the Legislative Council in 1955 to his ascension to the Presidency in 1978. It is suggested that Moi's initial leap from the classroom rested on the poor records of his predecessors, Moi's network of relations with influential opinion brokers, and his reputation as a sober and hardworking individual. Once appointed, Moi gradually secured his position, strengthened and expanded his networks, and took a position that constituents understood and could identify with. By the early 1960s, these efforts, together with his canny politicking, relative political longevity, and early association with an expansive constituency, ensured that Moi was the pre-eminent Kalenjin politician at a critical historical juncture. Prominence, which together with Moi's personal attributes and friendly relations with President Kenyatta, secured him appointments at the political centre. Moreover, Moi's tenure as Minister for Home Affairs and Vice President, together with his manoeuvres to undermine and/or co-opt potential opponents (through the use of patronage and sanctions) and a carefully cultivated image of a populist and assistant of the people, ensured that his local pre-eminence was rarely questioned and instead gained the backing of time. In turn, Moi's national position and apparent attributes together with the shortcomings of his antagonists, ultimately paved the way for his peaceful succession to the Presidency on Jomo Kenyatta's death in 1978.

Source: Article abstract

Lynch, Gabrielle. Moi.

This article analyses Moi (Kenya's former President)'s political career from his entry into the Legislative Council in 1955 to his ascension to the Presidency in 1978.

Political
Bibliographic

L’Afrique fait son cinema

Research platform

Los Angeles, CA, USA
Contact:

Phone +123 456789

Email: mail@example.com

afriquefaitsoncinema.com

Description:

"L’Afrique fait son cinéma" seeks to fill a gap as there is  currently no site exclusively dedicated to French-speaking cinemas from  Africa and the Caribbean. This site’s goal is to serve as a hub for  researchers working in this field.

L’Afrique fait son cinema

L’Afrique fait son cinema, Los Angeles, CA, USA

Aesthetic
Organization

MZ Kiss

Rapper (Hip hop, Afropop)

Nigeria
instagram.com/officialmzkiss/?hl=en

MZ Kiss

Rapper

Aesthetic
Professional Contact

Maasdorp, Liani. “Enter the Micro-Budget Film: Lockdown Amplifies South African Cinema Trends”. The Conversation, August 20, 2020. https://theconversation.com/enter-the-micro-budget-film-lockdown-amplifies-south-african-cinema-trends-143377

“Cape Town-based writer-director-cinematographer Jenna Cato Bass is a pioneer in this area. At 34, she has already directed three features – urban romance drama Love the One You Love (2014), “body-swap satire” High Fantasy (2017) and “feminist western” Flatland (2019). In a recent interview she told me she wants to “make a career making films and would like to make many of them”. Her films are made by small crews on tight budgets. They don’t feel like, or compete with, slick big budget Hollywood films. Yet, they have a niche following, consistently premiere at top international festivals and she keeps getting funding to make more of them.”

[Source: Excerpt from the Article].

Maasdorp, Liani. Enter the Micro-Budget Film

Maasdorp, Liani
August 20, 2020

The article discusses South African made small budget features which have a niche following and premier at top international festivals

Aesthetic
Economic
Bibliographic
Gender

Alain Mabanckou

Novelist/Journalist/Poet/Professor, UCLA

USA
mabanckou@humnet.ucla.edu/alainmabanckou.com

Mabanckou Alain

Novelist/Journalist/Poet/Professor, UCLA

Aesthetic
Professional Contact

MacGaffey, W. “Religion, Class and Social Pluralism in Zaire.” The Canadian Journal of African Studies, Vol. 24, No.2 (1990), pp.261–2.

Like other post-colonial African societies, Zaire is engaged in the process of transformation from institutional pluralism to institutional homogeneity, stratified into classes. The process of change has been discussed by some scholars from a political perspective (pluralism), and by others, in terms of the articulation of modes of production. There is not necessarily a contradiction between these two points of view, and both need a third, complementary one, that of the concept of ideological articulation. Recent developments in Zaire's religious history are discussed from this perspective, as they relate to both emerging class and institutional change.

(Source: Article abstract translated from French to English with Google translate).

MacGaffey, W. “Religion, Class and Social Pluralism in Zaire.”

MacGaffey, W.
1990

Recent developments in Zaire's religious history are discussed, as they relate to both emerging class and institutional change.

Religious/Spritual
Bibliographic
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