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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Victor Murinde

Director, Center for Global Finance, SOAS

Executive Director, African Economic Research Consortium

Nairobi, Kenya

Email: v.murinde@soas.ac.uk /communications@aercafrica.org

Murinde, Victor

Executive Director, African Economic Research Consortium

Economic
Professional Contact

David Murphy

Professor, African culture, cinema, University of Strathclyde

444 8265
d.f.murphy@strath.ac.uk
strath.ac.uk/staff/murphydavidprofessor/

Murphy David

Professor, African culture, cinema, University of Strathclyde

Aesthetic
Professional Contact

Murphy, David. Postcolonial African Cinema: Ten Directors. Manchester: University Press, 2007.

This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts.

[Source: Google Books].

Murphy, David. Postcolonial African Cinema: Ten Directors.

Murphy, David
2007

Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts.

Aesthetic
Bibliographic

Musa, Bala A. Nollywood in Glocal Perspective. Cham: Palgrave Macmillan, 2019.

This book gives a panoramic view of the rise and growth of Nollywood, Nigeria’s movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world. It offers an analysis of Nollywood’s influence as a local and global cultural force. Scholars from Africa, the African Diaspora and beyond examine the factors that have shaped Nollywood’s unique story-telling, production, and distribution system. The volume shows how internal and external economic, social, cultural and technological changes intersect to define Nollywood’s film-making and entertainment ethos. It is grounded in sound theoretical perspectives that help readers understand the texts and subtexts of the industry’s emergence, transformation, and impact. The range of subjects covered span Nollywood’s historical roots in Nigeria pre-colonial traveling/community theatre to colonial era film-making, and its contemporary spin-offs and inspired cousins across Africa and in Europe. It illuminates the interface of artistic, business, cultural and technological innovation and creativity at the heart of Africa’s local and global pop culture explosion.

[Source: Springer].

Musa, Bala A. Nollywood in Glocal Perspective.

Musa, Bala A.
2019

This book gives a panoramic view of the rise and growth of Nollywood, Nigeria’s movie and home video entertainment industry, into the second largest and most prolific movie-producing industry in the world.

Aesthetic
Economic
Bibliographic

Music Crossroads International

Non-profit organization

Brussels, Belgium
Contact:
+32 (2) 513 97 74/info@music-crossroads.net
music-crossroads.net
Description:

Music Crossroads is a non-profit organisation which uses the power of music education, professional training, live performances and promotion of young talents to support the development of the music education sector and the music industry in the culturally rich southern African region. It music academies in Malawi, Mozambique and Zimbabwe, established in 2013, empower talented young musicians with an affordable and innovative music education program and the necessary tools for a career in music. Music Crossroads’ mission is to empower young people in Africa through music!

Music Crossroads International

Music Crossroads International, Brussels, Belgium

Aesthetic
Organization

Music in Africa Foundation

Online music magazine

South Africa
Address: Music In Africa Foundation, 3rd Floor, 158 Jan Smuts Avenue, Johannesburg, South Africa
Contact: Music In Africa Foundation
T: +27 (0)10 140 1317
F: +27 (0)11 442 3738
Website: musicinafrica.net
Description:

The Music In Africa Foundation is a non-profit organization formed on 27 July 2013 in Kenya. Its headquarters is situated in Johannesburg, South Africa with regional bureaus in the Democratic Republic of the Congo, Kenya, Ghana and Senegal. Its objectives include providing reliable and useful information that promotes the African music sector and its operators, and connecting and promoting exchange between music operators from, or related to, Africa and its diasporas, among several others.

Source:

Music in Africa Foundation

Music Africa, South Africa

Aesthetic
Organization

Grace Musila

Academic, University of Witwatersrand, South Africa

ias.ug.edu.gh/content/professor-grace-musila

Musila Grace

Academic, University of Witwatersrand, South Africa

Aesthetic
Professional Contact

Musisi, Nakanyike B. “A Personal Journey into Custom, Identity, Power, and Politics: Researching and Writing the Life and Times of Buganda's Queen Mother Irene Drusilla Namaganda (1896–1957).” History in Africa 23 (1996): 369–85. doi:10.2307/3171949.

The popularity of African novels lies in their ability to convey to the reader how a society might have functioned with or without a state. Since most often a novelist tries to recreate a historical moment, a novel becomes a pedagogical tool of what Klein has called a “reasonable representation of what society may have been like.” In the most popularly utilized novels, an individual is cast at the center of the unfolding story. Most often, the African novel concerns itself with the impact of colonialism and the transition from traditional to contemporary African realities. This is frequently done with the aim of conveying to the reader the processes of adjustment and the pros and cons of this adjustment.

Source: Extract from article.

Musisi, Nakanyike B. A Personal Journey into Custom, Identity, Power, and Politics.

The popularity of African novels lies in their ability to convey to the reader how a society might have functioned with or without a state. Since most often a novelist tries to recreate a historical moment, a novel becomes a pedagogical tool of what Klein has called a “reasonable representation of what society may have been like.” In the most popularly utilized novels, an individual is cast at the center of the unfolding story. Most often, the African novel concerns itself with the impact of colonialism and the transition from traditional to contemporary African realities. This is frequently done with the aim of conveying to the reader the processes of adjustment and the pros and cons of this adjustment.

Political
Bibliographic
Gender
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